SAINT JEROME PENITENT IN THE LANDSCAPE
by Albrecht Dürer
1496
Albrecht
Dürer was born on May 21, 1471, in Nuremberg, Germany, and died on April
6, 1528, also in Nuremberg.
He was one of the finest artists in western art history, Albrecht Dürer was the leading artist of the Northern Renaissance. More than any other artist, he was responsible for introducing Italian Renaissance perspective and composition to northern Europe, largely through the dissemination of his graphic work. His extensive body of work includes altarpieces and religious works, portraits and self-portraits, and engravings.
While equally talented as a painter and draftsman, Dürer the engraver was unrivalled in technical expertise. Through the emotional and intellectual depth of his works, and originality of composition, he took printmaking to new height˙s. Dürer’s exceptional graphic works far outnumber his surviving paintings.
Adapted from Italian influences, Dürer’s subjects are religious in content. Nonetheless, Dürer maintained his identity as a German artist, working within the native Gothic tradition of northern Europe characterized by increased naturalism of artistic subjects and style. During the Middle Ages, artists in Germany were classed as artisans. Dürer was highly impressed with the elevated status enjoyed by Italian artists. Although he was highly respected in northern Europe, he lived in Italy for years at a time in order to work within the supportive artistic environment of southern Europe.
He was one of the finest artists in western art history, Albrecht Dürer was the leading artist of the Northern Renaissance. More than any other artist, he was responsible for introducing Italian Renaissance perspective and composition to northern Europe, largely through the dissemination of his graphic work. His extensive body of work includes altarpieces and religious works, portraits and self-portraits, and engravings.
While equally talented as a painter and draftsman, Dürer the engraver was unrivalled in technical expertise. Through the emotional and intellectual depth of his works, and originality of composition, he took printmaking to new height˙s. Dürer’s exceptional graphic works far outnumber his surviving paintings.
Adapted from Italian influences, Dürer’s subjects are religious in content. Nonetheless, Dürer maintained his identity as a German artist, working within the native Gothic tradition of northern Europe characterized by increased naturalism of artistic subjects and style. During the Middle Ages, artists in Germany were classed as artisans. Dürer was highly impressed with the elevated status enjoyed by Italian artists. Although he was highly respected in northern Europe, he lived in Italy for years at a time in order to work within the supportive artistic environment of southern Europe.